Gertrude Stein
lifting belly (1915-17)
'Lifting belly careful don't say anything about lifting belly.'
I will say something about lifting belly
The thing I will say about lifting belly is this lifting belly
how Stein plays with a handle/tag/moniker/name
or as Stein has it a title/tittle
than runs through this work lifting belly
running pursued by Stein
lifting belly is the protagonist of lifting belly
lifting belly protagonises Stein
degrees of knowing in lifting belly, one
knowing that lifting belly is called lifting belly
the fourth - lets call them lines - is 'All belly belly well.'
a silly billy mock-deflation of what to expect
tantalising tease of an entrance
once played is put away leading to the
casual/domestic/intimate drama of
What was it.
I said lifting belly.
You didn't say it.
And from there on our hero leaps and twists and flirts and skirts and is Ms Pronounced and is Ms Herd and is verb and is
act/action
and is add verb and is belly belly much add verb
lifting belly cuts through and joins together, cleaving and cleaving all Stein is hearing
Stein's hearing, one
language practice/one side of a telephone call, jumping forward to Kenneth Goldsmith's Soliloquy / magazine articles / pillow talk / teacher is talking / tittle tattle / cookery instruction / schoolbook / debate / quarrel
public - private - informal - intimate - formal
scenes shifting - line to line - time shifts - voice to voice - thought to thought - back and forth
Stein as experimental film maker
lifting belly is Stein's star and Stein's actor and Stein's act
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Dear Zillakiller,
ReplyDeleteI have yet to let you know that I love this space and am going to enjoy coming back again and again.
Stein constructs "casual/domestic/intimate" spaces. You have constructed. Stein constructs a space where verbs act and act over and act out of. You have constructed. Stein constructs a reading experience of jumps/starts/shifts. You have constructed. Stein constructs a film. You have constructed.
xox